by Roy Brophy
Well, two for the price of one! Fifty people were entertained as Peter painted, from scratch, two very different pictures – in parallel! – during his demonstration on Wednesday evening.
One, a townscape of a shopfront in Bath. Here is the reference he used…
The other, a loose pen/ink/watercolour of an autumn/winter landscape.
Peter started with the townscape using a straight edge to set some perspective guidelines and then sketched in the form of the buildings using a 4B pencil.
A wash for the sky was then followed by some details of the buildings in pen. Throughout the demo, Peter explained the different types of pens and materials. (Click here for a link to a list of some of the materials he was using).
At this point Peter switched to the second painting.
This was started with some very rough pencil sketching – it was difficult to imagine what was coming – it was all in Peter’s imagination. A wash for the sky followed by some very loose brushwork “daubings” for the ground areas.
A little penwork to the foreground to indicate some grasses then all change again – back to the Townscape for some more detail, and then back to the landscape for some more dramatic work to the foreground.
The evening progressed, back and forth between the two paintings, with plenty of information from Peter on his techniques and thinking. By the break the images were….
The pace quickened in the second half as more and more detail was added to both pictures.
The techniques described and demonstrated by Peter were of value to any artist. Particularly fascinating was watching the leafless trees develop – and then – hey presto! a few splatterings from a brush and just a few remaining winter leaves. The result was very natural looking.
The results …
Still some work to do, but a very interesting two hours.
This was a difficult demonstration for our audio/visual technician Richard, as Peter worked one moment on an upright easel, and then the next – flat on a table. Richard’s camera work was brilliant and everyone had an excellent view of the artworks as they came to life. Thank you Richard!
We can often judge how well the demonstration is working for the audience by how many depart at the break. On Wednesday everyone remained, and the audience were almost silent throughout, and (except for a few pertinent questions) – completely enthralled.
A brilliant demo with lots of inspiration, techniques & information, with time to chat to friends and like minded people, in comfortable surroundings, coupled with super AV equipment with everyone able to see the work in progress very clearly. Thank you Peter and all concerned with making it happen – an excellent evening.